Rabu, 10 Desember 2014

Ebook Tales of Juha: Classic Arab Folk Humor (International Folk Tales)

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Tales of Juha: Classic Arab Folk Humor (International Folk Tales)

About the Author

Salma Khadra Jayyusi is one of the Arab world's most distinguished literary personalities. She is the founder of PROTA (Project of Translation from Arabic) and is widely known for her poetry and literary criticism. Her books include Trends and Movements in Modern Arabic Poetry, The Legacy of Muslim Spain, and The Literature of Modern Arabia: An Anthology.

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Product details

Series: International Folk Tales

Paperback: 144 pages

Publisher: Interlink Pub Group; First Edition edition (October 17, 2006)

Language: English

ISBN-10: 156656641X

ISBN-13: 978-1566566414

Product Dimensions:

5.5 x 0.5 x 8.2 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

2.1 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#1,616,223 in Books (See Top 100 in Books)

I do a good deal of oral storytelling, and was hoping that these would be a useful resource. They are not. It's possible that a good enough storyteller could elaborate some of them into something that an audience would enjoy, but it would take a good deal of effort.The most interesting thing about the collection for me was seeing versions of stories I already knew from other sources, including one from Boccacio. In each case, the Juha version was much weaker than the version I knew. Which is the original and which the copy I cannot tell--the book provides no useful information about the dates of composition of the stories, and my guess is that they were all collected from current usage, although I gather that there are Juha stories from much earlier. Internal evidence, such as the presence of a musket in one story, suggests that at least some of them are recent enough to have been copied from an earlier European source.

It is supposed to contain funny tales about Geha. After I read a number of pages with great patience without finding a single funny tale I sent the book to my garbage can.

I am baffled at the review penned by my learned colleague, who saw fit to assign one star. His evidently Middle Eastern surname gives me pause, but I discern more sour grapes than legitimate analysis. I find the material extremely funny, revealing much about the cultural mores of the Arabic peoples and also providing good, honest, clean laughs. The material pokes fun at government officials, the wealthy, and the "learned" as well as demonstrating simple-minded "dummy" jokes. I also recognize material found elsewhere variously packaged, such as in the guise of Sicilian anecdotes ("Giufa," with an accent grave over the A, they call him), and one or two stories recognizable from the fables of Aesop or--as the Armenians call him when you see the material packaged as "theirs"--Olompianos with a Polish-style slash through the L.The book provides ideal light reading and, for those who don't know much about the culture of the Islamic peoples, will also proffer the rudiments of an education therein. Never mind sour-pussed reviewers who dare to contradict my authoritative opinions!

Book was a disappointment. Literal translations of phrases and dialogue do not convey the subtlety of the punchlines of the stories which are usually aphorisms

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Senin, 08 Desember 2014

Download Ebook Curriculum Considerations in Inclusive Classrooms: Facilitating Learning for All Students

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Paperback: 275 pages

Publisher: Paul H Brookes Pub Co (September 1, 1996)

Language: English

ISBN-10: 1557660786

ISBN-13: 978-1557660787

Product Dimensions:

6.2 x 0.5 x 9.2 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

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Sabtu, 22 November 2014

Download PDF Prayer: How To Pray In The Holy Ghost And Win All Battles, by Moses Omojola

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Paperback: 60 pages

Publisher: CreateSpace Independent Publishing Platform (August 1, 2016)

Language: English

ISBN-10: 1536845671

ISBN-13: 978-1536845679

Product Dimensions:

6 x 0.1 x 9 inches

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Sabtu, 08 November 2014

PDF Download Photography Theory (The Art Seminar)

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About the Author

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is author of Pictures and Tears, How to Use Your Eyes, and What Painting Is, and, most recently, The Strange Place of Religion in Contemporary Art and Master Narratives and Their Discontents, all published by Routledge.

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Series: The Art Seminar

Paperback: 484 pages

Publisher: Routledge; 1 edition (December 15, 2006)

Language: English

ISBN-10: 0415977835

ISBN-13: 978-0415977838

Product Dimensions:

5.1 x 1.1 x 7.8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#855,835 in Books (See Top 100 in Books)

This book is of great help to understand some of the basis that Ronald Berthes and Susan Sontag talk about. It's a great and efficient explanation of the photography theories. Totally worth keeping on the shelf.

interesting photography as philosophy, read it.

This book is mostly a rehashing of the subject on indexicality...is a photo an index or is it not. It is somewhat interesting but i think there are better things to read and a better things to spend money on.

Totally gooblegook. Extremely academic and unreadable.A complete waste of time and money. You've got to handit to the editor, though and his publisher to make this dreck look good to the consumer. I wish I would have been givenan opportunity to sample the book because if I had been Inever would have bought this.

Even though I've studied philosophy and semiotics extensively I consider myself a photographer rather than a philosopher or semiologist. Yet I believe that photography, or at least art photography, should have meaning. Photography theory as a field has seemed to work at the intersection of philosophy, semiotics and art history. I've thought that it might provide insight into the way that photographs demonstrate meaning and that it might help me to be a better photographer and viewer of photographs. Over the years I've read the important works in photographic theory by authors like Walter Benjamin, Roland Barthes, and Susan Sontag, and more recently, Michael Fried. Although I often found photographic theory interesting as an intellectual and sociological exercise, nothing in photographic theory seemed to bear any relevance to either my own image making or my appreciation of images of others. Even though its utility to a photographer was suspect, I wanted to test whether my general impression was correct by reading the 2007 "Photography Theory".This book centers around a seminar of photographic theory academicians held at the University College Cork. The book begins with several introductory essays that were meant to lay the groundwork for the seminar, followed by a transcript of the actual seminar. This is followed by a twenty-seven so-called assessments meant to address the points raised in the seminar, and then two essays meant to wrap up the subject.The seminar itself dealt with a number of subjects that most photographers would find esoteric. The base question was, "what is photography?", and in attempting to answer that question a number of issues were raised. Typical was the question of the index, which to semiologists is a particular kind of sign or representation. Although the discussants dwelt on the subject at length, and although a few of the discussants asked what the use of the concept of an index was in a practical world, the discussion reached no conclusions. To similar effect was the discussion of Roland Barthes' distinction between punctum and stadium, which again reached no conclusion and demonstrated a concept in search of utility.The assessments were far more interesting than the seminar. A few assessors offered up what they considered clarifications or explanations of the seminar and a few chose to dwell on their own work without reference to the discussion. Many more felt that the discussion proved the non-utility (none of the assessors used the word "useless") of either the current state of photography theory or the seminar.After most of this I was more than ever convinced that photographic theory was of no help to me as a photographer, or even as a student of photography. Then the very last essay in the book arrested my attention. In "Photographs and Fossils", Walter Benn Michaels, a literary theorist teaching at the University of Illinois, offered a synthesis of the topics discussed and even an explanation of the most recent work of Michael Fried, that placed the diverse viewpoints previously discussed into an understandable perspective. He suggested that the reason for the confusion represented the dilemma of not just photography but art at the current time as to whether the artist should attempt to wrest control of the image by forcing the viewer to accept the artist's denotation of the image rather than the viewer's connotations. (Those are my words, not Michaels'.)Ultimately then, "Photography Theory" left me skeptical as to photography theory's usefulness to the practicing photographer and viewer, although a single essay left me still hopeful. Unfortunately, Michaels' work is otherwise unavailable, so the reader will have to determine if this wonderful paper is worth the aggravation of the rest of the book

Photography Theory is the second in a projected seven volume series called The Art Seminar, edited by James Elkins and sponsored by University College Cork and the School of the Art Institute of Chicago, among other institutions. I have only read this volume, but all evidently have, or will have, the same basic format:(1) Introduction - an overview survey article commissioned for the book(2) Starting Points - a small collection of papers on specific topics intended to stimulate discussion.(3) The Art Seminar proper - the transcript of an extended panel discussion on the subject of the book involving 8-12 participants and gently moderated by Elkins.(4) Assessments - twenty-five to thirty mostly one-page responses to the panel discussion by qualified people, primarily (exclusively?) academics, including a luminary or two. In this volume those who contributed responses were all different(with one special exception I'll return to below) from those who participated in the panel discussion, but it doesn't seem to be a requirement of the series.(5) Afterwards - a small number of papers commissioned for the book that discuss the subject with reference (but not necessarily very much reference) to the papers, the panel discussion and the responses.While not necessarily the most valuable part of the book, the panel discussion is clearly the heart of it. And in the case of Photography Theory it is a faltering one. The participants themselves seem unhappy with the results they achieve, or rather fail to achieve, and acknowledge more or less directly the following shortfalls, among others.(a) They cannot agree on "the index", a specific theoretical conception, derived from the philosophical work of C.S. Peirce, of the special "non-coded" (i.e. direct, inherent) relationship of a photograph to what it is a photograph of.(b) They cannot agree on what to make of Roland Barthes' writings on photography, particularly his late work Camera Lucida (1980), including the famous distinction between studium and punctum.(c) They cannot agree on the issue of the medium-specificity of photography as an art form and its relationship to painting and other art forms.(d) Their home territory is art history and criticism, and they are not sure what to think about forms of photography that fall outside this domain.(e) They are all academics and spend most of their time discussing photography with other academics and very little with practicing photographers.(f) They spend much more time talking about the theory of photography than about actual photographs.To their credit and especially to Elkins', there is no evidence that they improved the discussion after the fact by adding material to the transcript, or for that matter by taking material out (not counting grammatical discontinuities and easily imaginable ephemera like who ordered the chicken salad or which pub shall we go to after we're done).Similarly, and credit for this must go to Elkins, there is no evidence of the responses being limited in any way, whether in length or in content or in tone. The fact is that some of them are unapologetically negative, hammering on the weak points acknowledged by the panelists themselves, and others as well. They occasionally grind their own axes, but mostly ones relating to the topics at hand.So too for the afterwards, though these are less tied to the panel discussion and consequently less critical. (In fact, if anything they are too disconnected and take on the quality of, this is an interesting subject, here's what I think about it.)Still, there is one genuine sour note in the book that deserves mention. If you look carefully at the contents you will see that two people made contributions to two different sections. One is Rosalind Krauss, who has both a brief piece "Introductory Note" at the end of the Starting Points and another "Note on the obtuse" in the Assessments. The other is Joel Snyder, who participates in the panel discussion and also has an item entitled "Pointless" at the end of the Assessments. The two are related.Krauss says in "Notes on the obtuse" that she and Snyder "have been arguing about matters connected to the index for at least ten years now" (p. 341). They are clearly still doing so in the book, each trying to get the last word, and not in a friendly way. Snyder for his part, after noting the civility, if not the fruitfulness, of the debate about indexicality in the panel discussion, goes on to say: "Regrettably, some of the statements in this volume are not presented in the spirit of the talks at Cork, and so I will be blunt in my response", adding parenthetically "(obtusus in Latin means, among other things, blunt)", a clear reference to the title of Krauss's second piece. Then he goes on for more than twenty pages (one of the longest contributions in the Assessments sections; Krauss's two items are only a few pages each) restating his positions and addressing Krauss's statements point by point.For me all the weaknesses of the panel discussion listed above come together in this unpleasant after the fact debate. The discussion has become too academic, the positions too entrenched, and the scope too narrow. There is clearly something real in the notion of indexicality, but the Peircean foundation is too abstract and too aprioristic to truly explain it, and those whose who are trying to apply the concept to the problems of photography and art lack either the inclination or the ability or both to evolve it into a theory of photography that really works. The last essay in the book, the second of the two afterwards, by Walter Benn Michaels, is called "Photography and Fossils". It seems to me that the biggest fossil in photography is the index, as conceived by those who believe in it. (Sorry, couldn't resist.)If people really want a proper theory of photography, it should be one that covers all photography - or maybe even all of what we are now more likely to call imaging - both art and non-art (vernacular and utilitarian), both visual and non-visual (in the sense of showing something significantly different from what can be seen with the unaided eye). The theory should explain both the nature of how images are made and how they are perceived and understood by human beings.Elkins himself says something like this in the course of the panel discussion, and at one point brings up the example of side-scan sonar images. This was one of the times when people "stopped talking", but he himself says something very interesting: "It looks like a lunar landscape, but it can't be "read" like an image: you think you're seeing hills and valleys, but actually the value scale denotes hardness, softness and other properties. ..." (p. 181). I would add that you don't have to go this far afield to find images that raise interesting questions of "reading". Why do black and white photos seem realistic and HDR photos do not? Why do we trust an image made with a shift-and-tilt lens but not one that has had its perspective fixed in Photoshop? Where is the photographer in an automatic surveillance photo, or in a Gregory Crewdson shot?To conclude, if you are interested in photography theory that sees indexicality as the central overriding issue, you will probably find a lot that's worthwhile in this book, especially in the panel discussion and the responses. If on the other hand you are mainly interested in other things, for example the history of photography or the social function of photography or contemporary art photography, or simply how to take good pictures, then you will probably not find much of anything.With that caveat I give it four stars.

This is someone's term paper or research thesis turned into a book. Very educational, very much theory, and VERY BORING... I guess unless you are in education this book is a waste for time to read.

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Minggu, 19 Oktober 2014

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National Geographic Field Guide to the Birds of North America, 7th Edition

Review

“The new edition is comprehensive and authoritative, written clearly enough for a beginning birder to understand and yet highly detailed enough for those who are more experienced. Dunn’s expertise in bird taxonomy and Alderfer’s artistic skills are a boon to this latest update of the venerable Nat Geo, a most worthwhile addition to any birder’s library.” ABA blog  National Geographic Field Guide to the Birds of North America, 7th Edition rated number one on American Birding Association podcast, by book reviewer Donna Schulman."After testing nine bird guides by taking them out in the field, comparing their contents and usability, and interviewing experts about their pros and cons, we choose the National Geographic Field Guide to the Birds of North America as the best field guide for most people. Equal parts detailed and accessible, it will appeal to experts and novices alike...beautifully illustrated and impressively thorough, yet still compact enough for you to hold it comfortably in your hands or tuck it into a bag. Its comprehensiveness—including more than 1,000 species of birds—will appeal to more hardcore birders. But its special features, such as thumb tabs and a fold-out visual index, make it accessible for beginners, too." —Wirecutter “What’s not to love about a fully updated, thicker Nat Geo guide?” –BirdWatching "Bins, camera, Nat Geo—the three essential elements for a mega-rarity twitch. No other field guide to North American birds does rarities so comprehensively and so well...The publication of National Geographic Field Guide to the Birds of North America, 7th Edition is one of the top bird book events of 2017." —10,000birds.com“This latest edition of an eminent classic is so good that soon enough it won’t be read at all: it will be quoted, referred to, even recited by birders, young and old, who have committed its wisdom to heart and put its information to use every day in the field.” –Birdaz.com“If you want to become a better birder, get this guide and use it often. The text is thorough and accurate, the plates are a gratifying combination of painterly and precise, and the layout is a tour de force.”  —Ted Floyd, editor of Birding magazine   “National Geographic has packed so much—new species, new art, revised maps, subspecies details, updated taxonomy and the latest ID tips—into this newest edition of their classic field guide that I suspect it may simply explode.”  —Scott Weidensaul, author of Living on the Wind“This book really has it all. It's thorough and concise. The book feels high-quality, and is beautifully illustrated and enormously informative. This one is a must-have for all birders, whether amateur or experienced!” –Cerebral Girl in a Redneck World  "This was book is incredibly well done. The images are clear and easy to identify, and they are well organized, making finding the right bird quick and easy. Below the images, there are text tips, these are especially helpful if you can’t quite identify off the picture. I was happy to see the pictures showing the birds in flight, which is how I see them most of the time." –BookExpression   “It is a very fine book and the most recent edition has some great improvements. It’s an excellent field guide to have in your collection. –Birdchick   “This volume is a really great reference to have on hand—both for any nature studies and just for watching outside of your windows.” –Just a Secular Homeschooler   “This @natgeoguide is so comprehensive and easy to use! The drawings are clear and detailed, making it easy to actually determine what bird you’re looking at. The birds are also categorized by type (sparrow, hawk, gull, etc) making it quick to navigate. I plan to be that nerd 🤓 carrying around a bird book on our next adventure. No shame here.” –Instagram: @wellreadmama   “I’ve found the National Geographic Field Guide to the Birds increasingly impressive with each successive edition into which it has been published…Thus, for those seeking the present pinnacle of field guides for their North American (north of Mexico, at least) birding activities, a guide rich in ornithological details that will withstand regular field use, the new seventh edition of the North American Field Guide to the Birds of North America is quite likely the book to be sought.” –The Well-read Naturalist   “…a beautifully crafted tome filled with tons of information that will delight bird watchers everywhere.” –A Dream Within a Dream"Updated, upgraded, and indispensible. The illustrations are better than in any other field guide; the fully revised text is detailed, accurate, and well organized; and the maps are unmatched. This is the guide for birders and field ornithologiests." —Dr. J. V. Remsen, Jr., Museum of Natural Sciences, Louisiana State University  "A stellar update of this standard-setting field guide. The new edition offers innovative features for all skill and interest levels, from those seeking a basic ID to those who want their field guide to deliver the goods on behavior, taxonomy, and distribution."  —Dr. Terry Chesser, Chair, AOS Committee on Classification and Nomenclature (North and Middle America) "New birds, new knowledge and new art work just made the most essential guide for North American birders even more essential....You only need to buy one field guide for North America, and the National Geographic is it." —Neil Hayward, author of Lost Among the Birds "[This edition] continues to improve on the already outstanding previous editions.  The addition of many new illustrations as well as updated text and range maps make this book the standard for North American field guides." —Mark W. Lockwood, author of The TOS Handbook of Texas Birds

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About the Author

JON L. DUNN is a leading expert on the identification and distribution of North American birds. He is a consultant for Birding magazine, and former chair of the American Birding Association's Checklist Committee. JONATHAN ALDERFER is chief consultant for National Geographic's Birding Program and a widely published author and field guide illustrator. One of the nation's foremost birding artists, he is well known for his authority on North American birds and his expertise as a field birdwatcher.

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Product details

Series: National Geographic Field Guide to the Birds of North America

Paperback: 592 pages

Publisher: National Geographic; 7 edition (September 12, 2017)

Language: English

ISBN-10: 1426218354

ISBN-13: 978-1426218354

Product Dimensions:

5.4 x 1 x 8 inches

Shipping Weight: 1.9 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

295 customer reviews

Amazon Best Sellers Rank:

#6,624 in Books (See Top 100 in Books)

This field guide is beautiful and has some great features. There is a quick index on the inside front cover to make it easy to find things fast, and there are some pages that show raptors in flight from underneath, which is just brilliant. There is a ton of information in this book. It is my favorite field guide. I also have the Sibley's Eastern US guide and I prefer this one. It is well worth the price.

The text and maps contained here are unexcelled and I find the artwork, font size, and printing quality to be of very high quality. The only quibbles I ever hear about the NGS guide are that the plates are painted by multiple artists, and the style and quality of their work is not identical. I'm not certain that I concur to the degree that I would relegate this guide to 2nd place behind any other. Another plus is that, although the NGS guide is not pocket-sized, it is small enough to take into the field for immediate consultation, whereas the Sibley guide (the prime alternative to this book) is better left in the car or in the room and consulted later. Another consideration is that the NGS guides are updated frequently, with new editions published every several years. As a result of this, the NGS guide is a rarity, in that it is typically the most-current of any field guide on the market, reflecting the latest changes to taxonomy, ranges, and extralimital occurrences; as well updated artwork and improved text.

The seventh ed. will go next to six other heavily notated editions as each edition improves upon the last,and changes to the nomenclaturecontinue. Six months may pass before I scan every page. After fifty five plus years of birding I tend not to use a field guide but carry an old schoolpocket note book and take Grinnell style notes. I carry a guide to help others in the field enjoy their new found lifer.The seventh edition is well worth having.

OK Naysayers. Stop the gossip about which field guide is better between NGS and Sibley. They are BOTH superb, and they each have their strengths. Personally, for the field, I prefer NGS for the size and information provided. I keep Sibley in the car for a backup. The NGS guide is just so much better overall for fieldwork and birding (not to slight Sibley, which is wonderful). I find that identification keys, illustrations, behavior, and ease of use in the field is just better with NGS. The 7th edition has done its homework, and has come out with a winning product. You won't be sorry with the purchase.Dave KrueperCorrales, NM

I have had several birding field guides before, but this is the best ever. Besides being the most complete, it includes most of the recent exotic species established in the states, and even includes an appendix of species found here only one or two times, but which could occur again. The color plates are the best I have ever seen. Perhaps some time in the future, it could include the birds of the USA islands like Hawaii, Puerto Rico, and the Virgin Islands.

Excellent guide with good drawings and appropriate information on bird i.d., behavior and locales. However, it is too thick to carry into the field easily. I keep it as a reference book in the car and carry the thinner "Sibleys Western Guide" in my birding backpack. One can never have enough birding guides. I also gave it as a gift to a friend who just wanted it to i.d. backyard birds.

I like the content of this book, but not the binding. I left this book on the front seat of my car on a summer day, and the glue from the binding melted and ran onto the seat. The book will never be the same. I have not had this problem with other bird books. Use better quality, heat resistant glue for the book binding.

Another outstanding NG product. I have bought eveyr edition since they started coming out years ago...These seldom disappoint. I don't take field guides into the field anymore so like to have the latest edition on the reference shelf and the preceding edition in the truck for the folks I bird with.

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Senin, 22 September 2014

Ebook Download Unix System Programming Using C++, by Terrence Chan

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Unix System Programming Using C++, by Terrence Chan

From the Publisher

The purpose of this text is to teach UNIX/C programmers advanced C programming techniques in the UNIX/POSIX environment, so that they will understand the advanced features of the ANSI-C language, become familiar with C library functions and the UNIX system calls and become familiar with the ANSI-C and POSIX standards.

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From the Back Cover

33156-1 Write more powerful C++ programs more quickly. If you're an experienced UNIX system programmer working in C++, UNIX System Programming Using C++ brings together all the advanced techniques you need to build more effective software. This book focuses on the real-life challenges you face developing network and client/server applications, databases, compilers, operating systems, and CAD systems. You'll learn new ways to develop C++ programs that are strongly type-checked, compact, and easy to maintain. You'll find in-depth coverage of: * Advanced ANSI C and C++ programming techniques, including function pointers and functions that accept variable numbers of arguments * How to use ANSI C library functions and C++ standard classes to reduce development time and maximize portability * The UNIX kernel structure and API -- and how to use them to manipulate system resources * UNIX processes and signals * UNIX sockets and TLI, the network transport protocols that allow you to create multi-tasking distributed client/server applications * UNIX multithreaded programming, including thread APIs, synchronization and thread-specific data The book includes extensive example programs that demonstrate how C++ classes, library functions and system APIs are used. To help you build more portable applications, there's also coverage of the POSIX.1 and POSIX.1b standards. Today's distributed, networked applications require you to understand and utilize advanced UNIX system programming techniques. With UNIX System Programming Using C++, you won't just learn those techniques: you'll become comfortable using them.

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Product details

Paperback: 598 pages

Publisher: Prentice Hall; 1st edition (October 7, 1996)

Language: English

ISBN-10: 0133315622

ISBN-13: 978-0133315622

Product Dimensions:

7.5 x 2 x 9.5 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

2.4 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#4,165,091 in Books (See Top 100 in Books)

Where is the C++ code for the UNIX system calls, or ANY Unix code? Most of THAT is in C, NOT C++. Total waste of time and money.

I looked at lot of Unix system programming books, none of them explain how it is implemented in the system and how to use it. If someone is new to Unix Systems programming, this book gives qute a boost. It is easy to read book.I had to change 4 jobs in past 8 years and each time this book has been a quick review of the Unix concepts & system programming.Example: About Posix threads, I searched on internet and looked at many books including Stevens(2nd ed), but got good confidence about it after going thru the 4 pages in here than anywhere else.

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Jumat, 05 September 2014

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Product details

File Size: 2971 KB

Print Length: 385 pages

Publisher: Scribner; Reprint edition (September 10, 2013)

Publication Date: September 10, 2013

Language: English

ASIN: B00A27XEMW

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This is not a book that I'd normally pick up but when it was chosen for our local One Book, One Community read I thought I'd give it a try. Going into it, all I knew was that it was about a hostage situation involving a young Canadian journalist in Somalia. What I didn't expect was how riveting a book could be even though I already knew the outcome.A House in the Sky starts out showing Lindhout's childhood with her sometimes turbulent family life in Alberta, Canada. As a child she eagerly spends her meager pocket money on old National Geographic magazines and fantasizes about traveling to the far reaches of the world. At the age of 19, she earns enough money waitressing to spread her wings and make her first trip to Venezuela. There her love of travel is sparked and she continues to travel to far-off places including Pakistan, Ethiopia, Syria, Burma ... The more she travels the more dangerous some of her destination choices become, especially for a woman often traveling alone. While in Kabul, Afghanistan, and with no formal training, she decides to take up photography and journalism as a way to fund her passion for travel. In order to get bigger, more newsworthy stories she decides to go into more dangerous regions which leads her to Mogadishu, Somalia in 2008 - an area rife with danger and where most reporters choose not to venture.Accompanying her to Somalia is her former boyfriend Nigel Brennan, an experienced photographer from Australia. Shortly after arriving in Somalia they are taken hostage and, in total, they are held captive in Somalia for a staggering 460 days. During these months they are tortured - both physically and mentally, starved, beaten and worse. Many scenes aren’t for the faint of heart and knowing that this wasn’t a work of fiction caused me to be much more emotional than I had anticipated.Admittedly, some of Lindhout's decisions are naïve and impetuous and I had heard from other readers that witnessing her make these decisions frustrated them. I didn't have the same reaction. Instead, I thought she described her thought processes (and past experiences) well which enabled me to understand why she made those decisions. Still, it wasn't easy to read. I knew she'd be captured (and live through it). I knew there would, most likely, be violence and abuse and yet even though I knew generally how things would pan out for her I found myself on the edge of my seat for the majority of the book (and often hoping she'd somehow miraculously make different decisions).Lindhout endured repeated horrors, deprivation, starvation and torture - both physical and psychological. And yet what will stay with me is her compassion and forgiveness towards her young tormentors (many of whom were teens and young men) and even Nigel, her friend and fellow prisoner, who made some decisions that didn't sit well with me. Lindhout showed compassion and forgiveness far surpassing anything I think I could manage if I were put in the same situation.The fact that Lindhout survives is astounding but what is even more amazing is how, through months of pain and torture, she was able to keep her wits about her by imagining her House in the Sky - a place she could go to in her mind to get away from the horror she lived with on a daily basis. She is a testament to the power of the human mind, soul and the desire to survive.This well-written book will pull you into Lindhout’s small world and while you may not agree with some of her decisions, you will be captivated by this book. Readers will witness vulnerability, strength, compassion and the strength of the human body and spirit. They will experience the roller coaster of emotions with Lindhout - from fear, despair, anger, horror but always with a glimmer of hope. Even though she had such a devastating experience in Somalia, Lindhout has proven that we have a choice in how life's events will affect our future. She has chosen to bring something positive to the people of Somalia via her organization, Global Enrichment Foundation which provides university scholarships to Somali women.This is a book that will stay with me for a very long time. I am eager to meet Lindhout this fall when her book tour comes through my area. It will be a privilege to meet her and I hope that she realizes how much her tragedy has impacted others.I highly recommend this book and give it my rare 5 stars.

I finished this book in a couple of days, mainly because it was so hard to put down. Then I decided to wait several days before writing this review because I wanted to be fair to the author, Amanda Lindhout. I won't spend a lot of time covering the events of the 15 months Lindhout was in captivity since many reviews have done that. While I read the book, I alternated between disgust at what was happening to Lindhout and anger at her for putting herself in that position. I would love to know what credentialed journalists think of her and what she did. She fantasized about being a war reporter, took a flying short course in photography, and then immersed herself in one of the most dangerous parts of the world. For all practical purposes, Lindhout was completely unprepared for what she did. This book reminds me a lot of Cheryl Strayed's book Wild. This story has almost become a genre: people putting themselves in difficult situations with little or no preparation. All of that said, no one deserves what happened to Lindhout, and I admire her ability to mentally overcome the abuse she endured. I also admire what she did after she was rescued building a foundation rather than merely running out to the speaker's circuit to profit from her spupidity. To say this is a great story seems a bit unseemly since it is so brutally violent. This I guarantee: you will be riveted while reading Lindhout's story.

This book documents the kidnapping of Amanda Lindhout and a fellow journalist in Somalia, but the first part of the book also details the author's childhood and other travels. The background is essential to the main story because it gives the reader a sense of who the author is, her curiosity for the world, her adventurous nature and makes you relate to her and empathize with her during her kidnapping.There has been some criticism of the author and her naiveté in going to a place like Somalia, but there are two things I would like to mention that made this book incredible and different:1. At no point does the author indulge in self-pity, which considering her circumstances, is an incredible feat. She describes her kidnapping in vivid detail including the emotional and physical abuse that she suffers, but there is no under-lying attempt to gain sympathy or self-pity. She comes across as incredibly strong and that one does feel immense sympathy for the horrendous circumstances that she was in is due to the nature of what she underwent.2. The author also has incredible control over her portrayal of Somalia and its people. Somalia is a foreign country to most people, considering that it is not a tourist destination and any news coming from the country generally tends to be about violence and war. In that situation, it is very easy for unaware readers to make vast generalizations about Somalians and the country itself based on Lindhout's experience. But she makes sure to never make any generalization about the country, and goes as far as to attempt to understand the reasons behind her kidnappers' actions. After the reading the book, I got a sense that Somalia is a dangerous country due to its political circumstances but I made no other assumptions about it.Above all I really recommend this book as a story of human survival and resilience amidst the harshest of circumstances.

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Rabu, 03 September 2014

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, by Melinda R. Cordell


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, by Melinda R. Cordell

Product details

File Size: 6872 KB

Print Length: 173 pages

Publication Date: October 19, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01MDOPQBD

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Amazon Best Sellers Rank:

#30,439 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book was okay. It was written for those in zone 5 gardening areas, and I'm in zone 7. I was still able to take away from this book some tips and pointers.With that being said, the author did repeat herself many times, which is a pet peeve of mine. Also, she went into talking about first aid at a couple of points in the book, which I really did not see a point of. (I guess living in the south, we already know how to deal with heat stroke and exhaustion.)This book would be good for someone just starting to garden.

Let me start out by clarifying that my thumb has never been green whatsoever, yet I still try to garden every year. Despite my clear lack of skills, I always have grandiose ideas a beautiful vegetable garden. It turns out that perhaps my biggest room for improvement was just learning from my previous mistakes! This year, I have started to keep a journal so I can see next year what went wrong and what not to do again. Who knew you could forget what you did an entire year ago?I'm certainly nowhere near where I would like to be, but I wish I had had this book years ago, if only to make me feel a little better to know that "plants are very forgiving" and to just keep trying through trial and error.I can't recommend this book enough. Other gardening books are intimidating, but this one is practical and often times pretty funny.

I love the way the author writes this. It's really fun to read. Did I learn anything new? Not really, but it's good basic information.

Loved her style-almost felt like having her right here chatting with me or in a very small, friendly classroom-a quick & easy read. I also liked her month by month approach-I am never thinking in Feb when it is cold & wet that I really should be getting seeds started for setting out in spring & that to do so, I'd better have gotten the stuff ready even sooner. I mean, I know you have to do it, but it just does not feel like the time for it as soon as it really needs to be done. She also covers square foot gardening, maintenance of equipment, etc. I have been making veggie gardens since I was a kid & even swapped an engine out in my 4x4 truck myself years ago, so I am not a novice, but still found the book useful & interesting. She also gives links to other useful resources, seed & info sites, etc.

I should probably be named Agent Orange for my luck in growing plants. That being said, Melinda Cordell makes it sound like it might be possible for me to have a successful garden!Her writing style is approachable and understandable. Her division of labor in a month by month way is very helpful. So too was her beginning explanation of it being a Zone 5 book, though Zone 4 and 6 readers will easily be able to make the few week adaption to the calendar style of the book.Down-to-earth explanations of seed germination, planting times, fertilization (for plants like corn) and garden structure make this book a useful one throughout the growing season and during the dormant times of winter. Seed packet pictures and other illustrations throughout the book make it artistically enjoyable as well as informative.I'm still not sure I'll manage a successful garden, but Author Cordell's advice makes it much more likely.I was given a copy of this book, and I have chosen to review it.

I have several of Ms. Cordell's books on gardening and I have found all of them to have good how-to's and advice for the absolute beginner (never gardened before) and the experienced (long-term) gardener. She advises on every aspect of gardening (also on lawns and house plants in some of them). She deals with pests (bugs and four-legged). improving your soil, which varieties do better in warmer and in cooler climates. How to plant and transplant, which varieties need to be sowed as seed directly into the garden as they don't tolerate transplanting and which ones can be transplanted from starter beds or pots without a problem. How to handle too much rain or too little. Gradually I'm getting the whole set. If you are interested in gardening it would be to your advantage to get as many of her books as possible.

This month-by-month gardening guide is full of tips, insects, to do lists, and vegetable plants that will help with gardening whether you are a novice or a master gardener. Author Cordell, covers seed germination, ratio of plants to area, insect and weeds, tool maintenance, soils and more. For maximum enjoyment, read this book on a cold snowy winter day, when you can take notes and plan for the arrival of spring.I received this book through a random InstraFreebie giveaway. Although encouraged as a courtesy to provide feedback, I was under no obligation to write a review. The opinions I have expressed are my own.

I received an ARC in exchange for an honest review.This was a fun and entertaining educational book. I loved the "just life" stories the author included through out the book. Setting the journey up by month, helps you know how/where to start and think ahead. I live in California, so some of the specifics might be a bit different based on my climate, but overall is a great starting ground to start planning! A great read, and I'm curious to check out other books by Melinda as well.

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Sabtu, 23 Agustus 2014

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Product details

Paperback

Publisher: Walter T. Foster Art Service Inc. (1970)

ASIN: B001B77X1K

Package Dimensions:

13.5 x 9.8 x 0.3 inches

Shipping Weight: 6.4 ounces

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#2,573,411 in Books (See Top 100 in Books)

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Sabtu, 02 Agustus 2014

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GRE Prep 2019 & 2020: GRE Study Book 2019-2020 & Test Prep Practice Test Questions for the Graduate Record Examination

Product details

Paperback: 170 pages

Publisher: Test Prep Books (February 12, 2019)

Language: English

ISBN-10: 1628456264

ISBN-13: 978-1628456264

Product Dimensions:

8.5 x 0.4 x 11 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

38 customer reviews

Amazon Best Sellers Rank:

#2,575 in Books (See Top 100 in Books)

The guide is ok, not as in depth as I expected. The book does a very good job with the questions. Would like to have more questions to prepare and a practice exam or two.

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GRE Prep 2019 & 2020: GRE Study Book 2019-2020 & Test Prep Practice Test Questions for the Graduate Record Examination PDF
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GRE Prep 2019 & 2020: GRE Study Book 2019-2020 & Test Prep Practice Test Questions for the Graduate Record Examination PDF

GRE Prep 2019 & 2020: GRE Study Book 2019-2020 & Test Prep Practice Test Questions for the Graduate Record Examination PDF

GRE Prep 2019 & 2020: GRE Study Book 2019-2020 & Test Prep Practice Test Questions for the Graduate Record Examination PDF
GRE Prep 2019 & 2020: GRE Study Book 2019-2020 & Test Prep Practice Test Questions for the Graduate Record Examination PDF