Minggu, 21 Februari 2010

Ebook Download The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

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The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan


The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan


Ebook Download The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

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The Art Of H.P. Lovecraft's Cthulhu Mythos, by Pat Harrigan

Product details

Hardcover: 192 pages

Publisher: Fantasy Flight Games; 1st Ed edition (October 31, 2006)

Language: English

ISBN-10: 1589943074

ISBN-13: 978-1589943070

Product Dimensions:

8.5 x 1 x 11 inches

Shipping Weight: 2.2 pounds

Average Customer Review:

3.8 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#1,240,756 in Books (See Top 100 in Books)

This is a gorgeous compilation of artwork both based directly on, or in the spirit of, Lovecraft's writings. The only criticism I can make is there there's little or nothing related to "At the Mountains of Madness." But the range of artwork here will give shape to many dark shadows from the Mythos.

Considering the increasing public awareness of HP Lovecraft and his infamous Mythos, I fully expected an 'art' book having a much wider variety of Cthulhu Mythos creatures represented as I had found in the Barlow's Guide to the Cthulhu Mythos (I think I may be a bit off on the title but I also think this book is out of print).In any case, a suprising number of the prints offered are of normal humans, presumably characters in a Mythos role playing game (I'm basing this assumption on the credits given to each picture). The painting/drawings of the Mythos creatures range from the nicely done to the uninspired with the later being the most frequent. I really can't see myself recommending this book unless you happen across it in a 1/2 off bin.

This is a clear and succinct collection of well-organized and presented art. Make no mistake. The printing quality and obvious layout work that has been demonstrated by this book is almost flawless; and well worthy of the tribute it is.However, even in the knowledge that much of this art comes from a TCG, and in the face of obvious streamlining as far as direction and theme are concerned; some fans of the mythos, such as I, could easily find themselves alienated in the almost 'cartoony' quality of the art itself.I will, however, give this four stars; as it clearly pulls across a great degree of scope; covering many more aspects of the Cthulhu mythos than i thought possible or likely. The sheer variety is impressive in it's own right.A committed and beautifully presented artifact - even if not as dark, disturbing and violent as it could have been.

Husband is a huge Lovecraft fan, he loved getting this for Christmas.

I wish the cover was in the book as a "double fold out" page.

Met and exceeded my expectations.

I love art and SF fantasy illustration and I am an admirer of Lovecraft's writing skill and imagination. The cover art on the book is great! The interior work does not suffer for quaility, so why the low review?Because I found the book itself disappointing, it lacks inspiration. I have seen most of the images online. I don't doubt that many of the artist are fellow fans of Lovecraftian lore and imagery, but they (as far as I know) got paid to paint these illustrations for the CoC card game, hardly a paeon to the muses.To be fair, I was warned by several of the reviewers of what the contents amounted to, it was the reviewers who were gushing about a book with a fair amount of mediocre art work that I could have paid less heed to.If you are desperate for Cthulhu related images, get it. If your merely curious, let it pass.

Great artwork book inspired in Lovecraft and as such is not for everyone's taste since the imagery is... well... lovecraftian (dark, frightening, even disgusting sometimes).

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Sabtu, 20 Februari 2010

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Product details

File Size: 1130 KB

Print Length: 288 pages

Publisher: Bloomsbury Sigma; 1 edition (October 18, 2018)

Publication Date: October 18, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07D16PJ13

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Amazon Best Sellers Rank:

#266,009 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

hilarious book on robots and robots that make love. The author is well trained and takes it seriously, and especially she has an open mind to it, which is very important in these things. I am too old to experiment on them, bu I can see her point..... and the inevitabiity of robots and AI.

This is a thorough and mostly readable account of sex robots of the past, present, and future. My one complaint is that the author devotes so many pages to what she considers important background material. In reading the book my frequent thought was "Bring on the sex robots -- please!"

Like most I have read news stories on line and watch a few shows on TV. Nice to have a book that tells what is going on now and the history of "devices" a good read well worth your time and money.

The concept of a 'machine for sex’ is a wondrous, powerful one. As the author notes, its arc aligns with all of human history. Devlin describes ‘sex toys’ from prehistory and antiquity right through to the present day. The term ‘sex robot’ itself is rather reified. Better is the idea of an artefact with which humans may engage sexually. Such an artefact might be genetically engineered, machine fabricated or some hybrid in between. Sex devices interestingly inhabit the intersection of science and technology, genetics and evolutionary biology, and the myriad social sciences.If a sex robot is defined as a thing, as human property, then they existed once, currently don't really exist and may exist again in the middling future. In antiquity slaves were property and presumed to have no agency. It was routine and uncontroversial for elite slave-owning males to buy and use nubile male and female slaves for sex. As Kyle Harper recounts in his “Slavery in the Late Roman World, AD 275–425”, consequences included masters becoming (stupidly) besotted with their slave sex-objects, wifely jealousy .. and unintended offspring who would join the next generation of slaves.Antique ‘sex robots’ were, from a purely functional point of view, poorly implemented. Their inner drives and motivations were not aligned with their 'function’ which made ownership fraught and only manageable through sustained terror. Devlin’s first degree was in archaeology so she will know all this. It would have been good to read about the social, ethical and even practical implications of the widespread availability of high-functioning ‘sex robots’ in antiquity. Devlin's discussion is however superficial (pp.116-117), flagging only the usual oppressively gendered roles found in all premodern societies stabilised by male violence. She also notes a pre-Christian sexual disinhibition of which she approves.“Turned On” is not a book of science with some feminist advocacy, it's a feminist tract centred on sex-with-artefacts (p.213). What’s this for example - a mocking rebuke to the transgression of equal outcomes?“Why do we experience things? How do the mechanisms of our bodies and brains give rise to conscious sensations? Where does that consciousness come from? You don’t have to have an answer in the Great Zombie Debate. The philosophers can’t agree on it either, Which is why you have a bunch of very clever middle-aged white men amusingly inventing words like‘ ‘zoombie’ and ‘zimboe’ to put forward their own variations on the theory. “ (p. 102)It's certainly of the moment, but it jars.Take objectification, something she takes strong issue with. The discussion is phenomenological: an example might be a builder wolf-whistling an attractive woman in the street; or a bunch of women hooting and laughing at a male stripper at a ‘hen party’. In the broad-brush triune brain model, primary drives such as lust are associated with the (animalistic) brainstem formation; emotional attachment with the mammalian limbic system; and rational interaction with hominid cortical systems. It’s not much of a surprise that humans can exhibit sexual behaviour dominated by any of these loci. Objectification (the mode of lust-dominance) would then be a brain-stem determined form of behaviour. In more refined circles we expect cortical inhibition/mediation of primary drives to deliver more measured, prosocial behaviour factoring in social context. Our biology is complicated in social settings.There isn’t any such framing in Devlin's book. Just normative presumption that objectification is out there (for some reason), that’s it’s wrong and that current sex doll designs play up to it. This is to sell the reader short, replacing analysis with moralising. Naturally we don't wish to succumb to the naturalistic fallacy; humans with their small group evolutionary history are imperfectly adapted to large scale societies. There are plenty of natural urges we need to regulate and indeed legislate against. There are few easy answers here as Devlin would be the first to argue, in contexts such as the legality and ethics of child sex dolls.Devlin adopts the fashionable feminist view that phenomenal gender differences are purely social constructs. This despite the enormous weight of hard evidence (evolutionary, neuroanatomic, genomic, physical, psychometric) for well-defined and reproducible biological differences between the sexes. Differences which are hardly obscure, but recognition of which might undermine the claims of her interest group. Public choice theory assumes its usual relevance here.Devlin interviews the CEO of RealDoll, Matt McMullen, and gives him a hard time about the overwhelming preponderance of hyper-sexualised female dolls and robots. 'Where are the less-sexualised dolls, the male dolls?' she wants to know. Actually this is a point she takes up with all the doll manufacturers she meets. The replies she gets are defensive, framed in terms of male-female differences in sexuality leading to skews in demand. Devlin is having none of it, blaming biased marketing and uncritical social conditioning (pp. 153-154). Time for a quick review of microeconomics (supply-demand equilibria?) then as I reflect on the democracy of markets in probing the world as it actually is.Then we read this in a meandering discussion of rape fantasies and the claimed lack of any genetic influence:“If anything, rape would theoretically reduce the reproductive success of our ancestors as it takes away selective genetic choice. “ (p. 233).Reality is more nuanced. Rape is historically (and currently) commonplace in intergroup conflicts. It's plainly adaptive for males in the absence of draconian ingroup penalties. I suggest a quick read of Dawkins' "The Selfish Gene".Gendered social roles have historically been oppressive to women. There are biological reasons (eg male physical strength, aggression and paternity-uncertainty) which interlink with social reasons (eg within-family inheritance) which are specific to different kinds of society and which need to be explicitly teased out. If capitalism appears to be intrinsically gender-blind in its desire to free *everyone* up to maximally work, then the deleterious effects on human self-reproduction also need some analysis.A perennial science-fictional trope referenced by Tom Whipple, The Times science editor in his review of Devlin's book, is that of the perfected sex robot as a kind of sterile mosquito (which has already resulted in some local extinctions of this malaria disease vector). This is not a problem we'll face anytime soon but is there something to it? Devlin is unworried while Whipple remains concerned. Plainly it’s hard to assess an unknown artefact but with universal and easy access to contraception in the west, perhaps we already have a natural experiment. Check those Total Fertility Ratios. We are already selecting for women who positively want children (rather than just sex); ubiquitous effective and sterile sex robots would select for men with a similar drive. Let's just hope there's that much variability in the gene pool.In summary Devlin's book is an easy and amusing read: somewhat superficial; an interesting tour of the sex doll/sex toy landscape which will be unfamiliar to many readers; intriguing confessional snippets from the author's private life. The book is not particularly scandalous or salacious, it's not very conceptual or analytic and its opinions are conventional liberal left. Put aside a slightly sprawling and uneven structure and it reads like an extended New Scientist article.

Robots. Yes. How do I love robots? Let’s count the ways. Well, for the sake of brevity, maybe not, but let’s just say I really, really love robots…although not in the way some of the denizens of this book do. So while I’d love a robot best friend, a robot romantic and/or sexual partner isn’t something that spins my dreams around. In fact once I watched a program about men (and it’s nearly always men) who were trying to find (ok, buy) their perfect robotic mate and they were exactly the sad sack can’t make it with a real woman stereotypes you’d think they’d be. But in whatever way you want to utilize them, let’s face it, robots are the future. They are already all around us (Hi, Alexa) and are getting smarter every day, but they still haven’t nearly reached that level of autonomy and sentience that makes us think of singularity event, terminators and apocalypses. Frankly…I say bring it on. And not just because I’ve just listened to Robots of Gotham on audio, the book where robots did take over. But seriously in this day and age it might be an improvement. The thought of being governed by an artificial intelligence seems infinitely preferable to the inverse of that. But anyway…this book is all about robots and sex, often together, sometimes separately. It gives a comprehensive historical overview of how technology got to where it is now, ponders what’s next, considers sexuality as it evolved over time to be a much more complex multilayered thing than past models, but mainly it contemplates the ethics of robot/person involvements. After all, there are situations and jobs you’d be glad to turn over to robots right now, very practical things like caretaking, assembly, etc. But however lonely the world gets, however much time is spent playing games, interacting via social media or in virtual reality…or not interacting at all and shutting the world out Japanese style…there’s still a significant taboo about having a robot mate. Possibly because technology is as of yet far from perfect, still talking a semiautonomous preprogrammed cranium upon a blow up doll body more often than not. Possibly because such a union would usher in a brave new world not everyone’s quite ready to contemplate yet. For me robots…whether it’s to eradicate loneliness, provide essential assistance or even just to hang out…bring it on. Can’t be nearly as disappointing as the flesh bags (or whatever derogatory moniker the robots use to discuss us) and probably definitely smarter than most. But it was still very interesting to read about all the psychological, ethical and social implications of such an evolution. And the book was very entertaining, the author’s funny, erudite, very feminist, opinionated and clever…so that should give you an idea of what sort of perspective you’re getting here. Very enjoyable read, not so much educating (knew a lot of it already and also really wish there were photos) as enlightening and tons of food for thought. Science, sex and robots…how can you not love that combination. And now back to dreaming of technology finally matching up to my imagination.

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Kamis, 18 Februari 2010

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Product details

Series: Zagat Guides

Paperback: 252 pages

Publisher: Zagat Survey; Fol Pap/Ma edition (June 26, 2008)

Language: English

ISBN-10: 1570069816

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Product Dimensions:

4 x 0.5 x 8.5 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

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1 customer review

Amazon Best Sellers Rank:

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File Size: 3477 KB

Print Length: 343 pages

Page Numbers Source ISBN: 1542048397

Publisher: Thomas & Mercer (January 11, 2018)

Publication Date: January 11, 2018

Sold by: Amazon Digital Services LLC

Language: English

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Amazon Best Sellers Rank:

#6,163 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Holy shades of Sherlock! I do believe Detective Lavender has met his Moriarty. Is that a good thing or a bad thing? I don’t know, but can’t wait to find out as the series continues. I certainly don’t want him to become a focus in the series, but popping up every now and again to create havoc could be a very interesting thing indeed!One of my favorite things about this series is the interweaving of actual people, facts and events with the fiction. Detective Stephen Lavender was an actual Principal Officer of the Bow Street Runners and the author weaves his actual cases and events into the stories. In this one, she uses the real assassination of England’s Prime Minister, Spencer Perceval, in 1812. This author does in-depth research before writing her books and then seamlessly blends fact and fiction. The stories are fast-paced, well-plotted, well written, intriguing and filled with wonderfully interesting and relatable characters.Bow Street received a pittance from Parliament each year. There was no way they could police the area they were required to police and still manage to operate within that budget. The clever Magistrate Read, Lavender’s boss, found a way to supplement their income. Based on that income, he had begun a much needed building addition with additional holding cells, courtrooms, etc. The additional income adding to the Bow Street coffers came from assigning his much-sought-after Principal Detectives to cases in other areas of England – where they were paid handsomely for their services.“Gawd’s teeth!” is how our story begins in May of 1812. Constables Ned Woods and Barnaby encounter a completely naked man cavorting on the beach in Greenwich. Ned recognizes the man as an escaped bedlamite and after a bit of a scuffle, they capture the man and get him back to Bow Street. It seems things just head downhill from there – for Bow Street.Detective Lavender returns to London after the successful completion of an out of town case that kept him away for two weeks, only to discover that he is the ONLY Principal Officer in town and everything falls on his shoulders. Not only is he to get all of the cases, but the Magistrate wants him to leave for another out of town case – this time in Ireland. Stephen is not a happy camper!Crime seems to be running rampant in London. There are rumors, unsubstantiated but believable, of a new gang with a wily leader that is now operating within London. Lavender has to deal with a plethora of cases – large and small – and slowly begins to wonder if they could all somehow be related. There are blatant highway robberies where the thieves seemed to know the victims along with when they were traveling and what they were transporting. Then you have the murder of a Baron that draws in sweet Duddles (you’ll know him from previous books) – not to mention that he is having to keep tabs on a man (formerly a rich merchant) who is bitter at the government. Adding to that list is the discovery that Ned Woods made when corralling the escaped bedlamite – he found a severed foot. Magistrate Read doesn’t want Lavender working on that find, but it intrigues Lavender, so he adds that to his list of cases he’s juggling.This story is fast-paced and crimes are popping up all over and you begin to wonder how you’ll ever keep them straight and how Lavender will ever solve all of them. Then, you begin to notice a pattern and you begin to wonder . . . . hmmmmm. You think you know who one of the villains is early on, but you learn more and more as you go on and – WOW! You won’t want to take a break from reading – because – something exciting might happen while you are away and you would miss it!This story is a bit darker than the others in the series, but not too dark. There is a bit of humor too with Magdalena’s maid being taught English words by her want-to-be beau. For instance – Magdalena asks the maid if Lavender’s bath water is hot enough. The answer was that it was “very peppery”.I love all of the supporting characters in the book, but particularly the relationship between Lavender and Woods. They are great friends and would do anything for each other. Their conversations are just great – Ned is older and offers Lavender great advice – such as – Ned has given Lavender the advice to give his wife back rubs. He’s suggested it several times, so Lavender asks “Ned, what’s this obsession you have with back rubs?” To which Ned replies “Well, that’s good. One thing leads to another . . .” Other memorable characters are Duddles, the young lover of Magdalena’s friend and young Eddie Woods, the thirteen year old son of Ned Woods.Another thing to like is the believability of the story and the consequences. For instance – when Lavender is trapped in an old building and is submerged in brackish, contaminated river water, he didn’t just walk out unscathed. He was seriously sickened as would have happened in real life.You could read this as a stand-alone book, but I cannot, for the life of me, think why you would want to. The character development and growth throughout the series is well worth the time to read – not to mention all of the stories are GREAT! So, Happy reading – I just know you’ll love it.“I requested and received this e-book at no cost to me and volunteered to read it; my review is my honest opinion and given without any influence by the author or publisher.”

What I particularly appreciate about Charlton's Dectective Lavender Mysteries is the fact that Lavender was an actual policeman of 1800s England and that Charlton does lots of research for her stories and interweaves actual historical events into them. Here we have, for example, those plague pit bones of the title and the actual assassination of the Prime Minister interwoven, while at the same time Charlton enlarges upon these historical details and adds fictional embellishments to entertain the reader.And, in addition, we continue to learn more about the personal lives of Detective Lavender and his sidekick Constable Woods. Woods and his family, in particular, I have always found to be rather charming. Lavender and his Spanish-born wife not so much, but they are growing on me.There's lots going on in this for Lavender and Woods to worry about: footpads and highwaymen, an unidentified corpse floating in the river, a possible anarchist to watch out for, a rather nasty gang of criminals, and more that should not be mentioned here as possible spoilers. Amazingly enough, almost all the disparate happenings end up being connected. Solve one, solve them all, basically, and, in addition, the criminal mastermind gets away in the end, probably to show up again in future books as Lavender's very own "Moriarty".There are some clever and interesting moments here. However, I am still reluctant to give this more than 3 stars. Lavender made some very non-clever moves in this one, two or three in particular where I wanted to yell at him for being stupid. And to get him out of the biggest, most dangerous mess he caused himself, his wife enlists a wounded Woods and his 13-year-old son for help, rather than asking for strong and healthy reinforcements from the police force. That made no sense. So no, I'll save my 4 or more stars for the next book, hoping Lavender has smartened up by then.

I'm starting to like this series because the author has taken more time to research the period (1812 London). Her first few novels in the series failed due to this (IMHO). The character development is improving as well. Detective Lavender is a Bow Street runner, the first police force in the UK. In this tale, several mysteries are happening and our detective is overloaded with work. From a string of highway robberies to the murder of the Prime Minister to the discovery of plague bones at Bow Street, Lavender is stretched thin. The mysteries slowly piece together like a puzzle. A good read for the historical mystery lover.

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Senin, 01 Februari 2010

Free PDF My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael

Free PDF My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael

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My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael

My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael


My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael


Free PDF My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael

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My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael

From Booklist

Germany was, Raphael says, “a country I had sworn never to visit . . . anywhere I turned in that country, I might face something that had belonged to a murdered relative.” But a book tour for his Holocaust-survivor novel The German Money (2003) took him there. Haunted by his mother’s experiences in a slave labor camp, he wondered whether forgiveness is possible. In this book, that leads to flashbacks personalizing the horrors of the Holocaust. A photo of relatives in pre-war Vilna, “as much at ease as a Jew could be in Poland,” prompted musings about the Poles’ anti-Semitism, which eventuates in recollections of his mother’s desperate retreat in 1941 from the Polish-Soviet border to Vilna, where Germans were rounding up Jewish men for mass execution. Encompassing recollections of childhood with parents grimly silent on the defining experience of their lives as well as accounts of historic atrocities, Raphael’s chronicle of growth and self-discovery isn’t easy reading, but his hard-earned healing and freedom from a tortured past make it remarkably satisfying. --Whitney Scott

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Review

It is impossible to read Raphael's story without feeling a sense of awe at what he was able to accomplish. --Nicki Leone Southern Independent Booksellers Alliance --Southern Independent Booksellers Alliance"Once again, Lev Raphael has broken ground with new literary matter. His memoir reads like a mystery novel." --Studies in American Jewish Literature

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Product details

Hardcover: 224 pages

Publisher: University of Wisconsin Press; 1 edition (January 28, 2009)

Language: English

ISBN-10: 9780299231507

ISBN-13: 978-0299231507

ASIN: 029923150X

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

26 customer reviews

Amazon Best Sellers Rank:

#2,848,680 in Books (See Top 100 in Books)

I've read everything Lev Raphael has written over the years. I am Jewish, but my family has been in the US for three, four, and five generations, on both sides. Other than hearing from my mother, a teenager in Chicago during the late 30's/early 40's, about her family's attempts to help relatives flee Germany and Czechoslovakia, we were largely untouched by Hitler's Holocaust. However, I am a voracious reader of Holocaust literature,both fiction and non-fiction.Raphael grew up with two survivors as parents. Nearly everything in daily life was touched on by his parents' experiences. And, as with most survivors' families, they firmly boycotted anything produced in Germany. Lev did not meet a German til he was in college. He had no interest in ever visiting Germany, and in fact didn't do so til he was invited to give a speech there about ten years ago.But wanting to investigate his mother's experience as a slave laborer during the war, he hesitantly visited Germany a few times, and eventually found his mother's story. He also found friends in Germany among the "new generation" of Germans, born largely after the war and brought up with full knowledge, and acknowledgment, of their parents' and grandparents' misdeeds.He began to feel at ease during his trips to Germany, often doing speaking engagements when his books were published in German.Raphael writes a great story of how his old taboos were recognised, acknowledged, and then discarded. I don't think he would have been able to "discard", without an exhaustive "recognition" and "acknowledgment" of both his feelings and the facts of post-war Germany.

This book has been on my kindle for two years, and I finally had time to read it. What a thought provoking read. It held that I met the author at a writers conference two years ago and learned about this book. Anyone who is interested in learning about the Holocaust from the Second Generations point of view would be interested in this read.

In this moving and elegantly written memoir, Lev Raphael confronts the demons he inherited as being the son of Holocaust survivors. Fearful, skeptical, angry, and plain curious, he travels to Germany on book tours. He discovers that modern Germany is not his parents' Nazi Germany, the country mainly responsible for the horrors perpetrated on the Jewish people.This is a balanced account. The author presents as much detail as he can regarding the agonies his parents and the European Jews suffered, particularly in Germany and because of Germany. As an academic, he has done extensive research in Holocaust Studies. As a Second Generation Survivor, he has attempted to document the lives of his parents as fully as possible. He articulately presents all the reasons why the Germans should never be forgiven for their unspeakable crimes.Nevertheless, Lev Raphael unexpectedly discovered that he is at peace with Germany today. He half jokes that he is even able to buy a German coffee grinder without guilt. As a member of the second-generation myself, I fully identify with his struggles. His account is highly readable, in spite of what would seem to be heavy subject matter. This book should be in every German and every Jewish home.

I savored this book until the very last page and even then, was sorry to put it down. This is a marvelous memoir, weaving a tapestry of multigenerational tragedy and survival, with acute and fascinating observations about the impact of history on the author's parent's lives, as well as his own. Much of their truth had been hidden from him as a child. Raphael has written a memoir that reads much like a contemporary mystery. You never know where the story will lead as he uncovers layer upon layer of his mother's past, culminating with the brutal reality of her experience at the hands of the Nazis. Raphael chronicles his own journey as a Second Generation Jewish writer coming to terms with his Jewishness, his sexual identity, and with Germany --the Germany of his parent's experience as well as his own. I couldn't recommend this memoir more highly.

I choose to read this book because Lev Raphael is one of my favorite authors of short stories, comedy of manners mysteries, and essays. I then re-read "The German Money" and "Winter Eyes" discovering and recovering an even greater appreciation of these two novels. Nabokov contends that the full reading experience does not occur until a book is re-read. This memoir provoked me to re-read those novels. "My Germany" has a special resonance for me: when I was 11 years old and traveling from the Netherlands to Denmark by night train in 1960, my grandmother pulled down the shades so I could not get even a glimpse of Germany. The previous year she had made a big fuss when my parents purchased a VW Van. As a child, I was imbued with such negative feelings about Germany that I could not envision visiting that country and have not as an adult. Raphael has had the courage to travel the country, learn the language, and dig into his parents' past that they would not speak of. The most fascinating part of the book was the recounting of his parents' history. This memoir makes for a wonderful introduction to Raphael's other writings but also stands alone on its own merits in that popular genre. "My Germany" deserves at least one reading by those who are Raphael's fans but also by those unfamiliar with this author.

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My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael PDF
My Germany: A Jewish Writer Returns to the World His Parents Escaped, by Lev Raphael PDF